Voici déjà un certain temps que je souhaitais refaire quelques portraits mais il me manquait un concept porteur dans le sens où photographier une jolie fille en soi est joli, sympathique, etc… mais que cela manque un peu de contenant si je peux m’exprimer ainsi. Ce qui finalement donne du plaisir est autant la conception que le résultat. Et sans commencer ici un débat philosophique, je crois que cette affirmation est vraie pour beaucoup de choses dans la vie.
Alors j’ai cherché un concept. C’est ainsi que, après un certain temps, mettre les étoiles dans le regard a surgi dans mon esprit. J’ai un peu recherché comment faire et très vite tout est clair dans mon esprit pour faire le shooting. Il neme restait plus qu’à demander à une de mes collègues de participer. L’idée lui plu et une semaine plus tard nous étions dans le studio pour ce TFP.
Le matériel : des lampes LED, un grillage pour les fixer et… c’est tout.
Pour le fond, j’ai posé une plaque de plastique transparente que l’on utilise normalement comme un toit pour les cabanes ou les maisons de jardin. J’ai utilisé un flash rouge dans ce set up.
Sur la photo ci-dessus, pas de flash. Les nuances bleues proviennent de la lumière ambiante du studio dont la chaleur est celle de la lumière du jour. Mes LED ayant une lumière de 32ooK (donc plus chaude), mon réglage calé sur celle-ci fait que la lumière du jour devient froide.
(Wien, TFP, Juni 2016)
This question might sound silly at first, but in some cases the answer is not so easy.
Let’s take this portrait of me as an example.
I did not press the shutter so, I did not take this picture. But still, I think I have the credit for this picture. The reason being is that I set up the light. Here an Elinchrom Portalite camera right. I decided to use a reflector to get some rim light on my right side (for it’s the left side of the face). I also selected the lens and the camera. And I edited the picture in Light Room. So basically, I made the picture, I did not take it.
But, shooting is also about catching the moment… So 90% of this shot is from me, 10% from my wife.
Now, if I was to sell this picture (I know guys, stop smiling : I know nobody is going to by my portrait), who should get the money and have the rights ? How do you make sure who gets the % of the credit? Not easy.
But let’s go even more deeper… and lets take an other example :
This picture was shot back in 2012 or so. Sophie, a very nice looking colleague accepted to be a model for this shooting. Alizee is a Make Up Artist who needed pictures for a championship in NYC. So we built a portfolio together : she was happy to have a photog for free, I was happy to have a model and Sophie was happy to have a nice picture for free.
The idea of the Ice Queen was mine (1-0). But all the look was hers (1-1). The background had to look as if the model was in an Iceberg and I came up with a working solution (2-1). A friend of mine helped me a lot to postprocess the picture. Not easy to tell who’s got the credit: she? me? Both ?… My friend? And shouldn’t the make up count for 3 points? What do you think?
My wife and I have decided to make a few shots in a totally different direction we use to do.
I call it, the “Emily Soto”. Stop. I don’t pretend to be as good as she is. What I mean by that is only the kind of dream-uish girls with flowers and kind of vintage victorian clothes. You get the idea (hopefully). Anyway, if you want to check on her gallery, click here.
She is a master of this style. Which is not what I am drawn to but it’s kind interesting and women seam to love that. So OK, let’S give it a try. I loaded my car and off we go. After a minute or two, my back let me remember I am 45 and it hurt. Not the best thing for a shoot. No position did help. The good thing about this is you have to be effective since you don’t want to suffer for nuts.
I took 3 cameras to see if there are differences. A nikon DF, a Fuji EX1 and a Sony Alpha700. And yes there are and will be a subject of a future post. We made 2 setups. The one below was shot with a Nikon Dƒ, 70-200mm 2,8G, S1/125 ƒ5, ISO 100. It’s lighted by 3 strobes.
- My Keylight is a beautydish. I now think a big SB would have been more appropriate. It aims down at her at a 45° angle.
- My backlight is 1/3 of my key light. It’s a bare head of my quadra, B plug. It’s gelled with a CTO.
- My third light is a fill. It’s 40cm above the ground aiming straight at a silver reflector
I made just on measurement with my light-meter and I was done and ready to shoot.
My postproduction is only about the skin + background smoothing. No vignette or any kind of other adjustments. I hope this kind of picture will interest new models based in Vienna who want to build their portfolio for free (TFP).
Have a nice Sunday, more to come…
Today’s post is a shot made three weeks ago in the center of Vienna, Austria. Miss K and I already had a shooting together so she felt at ease right from the start.
I had chosen this location because of its versatility : there is a river flowing down just a few steps away, beautiful and interesting buildings – old and modern – offer an interesting background. And there are bridges. Bridges are very convenient when it starts to rain.
We managed to make some interesting shots like these that will post some other time.
A few tips :
1) Think that it can rain, be sure you can put your gears in a dry place within seconds
2) Tell the model where is her light. This was actually the most difficult part that she turned her head in wrong direction… ” Miss, Look (again) toward the strobe please !!!”
3) Chose the right time : too soon you won’t be able to fight the ambient light ; too late you background will be too darken.
4) Use a light meter to get ready in 2 minutes
Tomorrow I will post other pictures of her done the same day.
Stay tuned and have a good light